Review 122
The Lobster (2015)
Christmas is a time for family, for friends... It's a time where we take the time to be with those we love the most and try and think of a meaningful gift for them. So of course I went with Yorgos Lanthimos's The Lobster for the holiday season... Yeah, didn't I review Dogtooth not that long ago and say I didn't really get the film? Well, since The Lobster was an English film and I thought the plot was interesting, I was actually planning on watching it eventually. My boyfriend happened upon it recently, and with my words of encouragement, he was down. Thus, so was I. This one stars Colin Farrell, Rachel Weisz, Ben Whishaw, Angeliki Papoulia (Dogtooth!), and Olivia Colman (whaaaat Hot Fuzz whaaat), among others.
David (Colin Farrell) lives in a society where companionship is a must. After realising he doesn't love his wife, he checks himself into a "love" hotel. In this hotel, you must find love in 45 days, or you are turned into an animal of your choice. Will David find love or turn into his chosen animal, the lobster?
Slight spoilers here. Honestly, the plot sums up only part of the film. It extends to so much more in the two hours it runs. It's like Martyrs in a way, where the film starts as one thing and turns into something else. I mean, I guess the film isn't as different as From Dusk Till Dawn let's say, but anyway, you get it.
The Lobster is a fine piece of cinema. I was a bit worried it would leave me feeling... odd and not sure, as was the case with Dogtooth, but in the end, with the film revolving around a global idea encompassing the world now, as well as the explanations from a particularly observant viewer, I got this one. But let's look into what I got from the movie. Here are maybe bigger spoilers for the movie in terms of plot analysis, so you have been warned. Basically, the film revolves around a more egocentric view of love. The limping man (Ben Whishaw) explains that his distinct characteristic is his limp. His dead wife had what? A limp. The man with the lisp (John C. Reilly) has his defining characteristic - a lisp. There's a woman with a frequent nosebleed (Jessica Barden), and a completely heartless/sadistic woman (Angeliki Papoulia). We never know them beyond this one characteristic. And this is what they search for in their partner. They are self-absorbed individuals who can only love those who are closest to them. The limping man, knowing he will be transformed in a short amount of time, fakes nosebleeds by bashing his head against walls, and ends up being paired up the nosebleed woman. A love based on a lie in order to not be alone - doesn't seem so unlikely, does it? Or at least, it doesn't from my experience. David also attempts to fake being heartless as he claims he has always been attracted to short-haired women and women with accents. However, the lie is quickly noticed after a particularly gruesome scene (akin to Dogtooth's cat scene), though he manages to escape the authorities. This is the way the society is made up, and if your defining characteristic sets you apart from the rest, you are transformed.
However, we have the opposite side of the equation with the loners. The loners, led by Léa Seydoux's character, have completely rejected this culture. They aren't allowed to have partners and must dig a grave and not risk getting the others in trouble. They cannot listen to music other than techno and must do it alone. They conduct missions where they attempt to ruin partners' lives. David joins them after escaping from the hotel. Of course, we see that there is a flaw in their being as well since completely rejecting love isn't a solution. It will only lead to their demise as the only way they can continue is to bring in others. However, David finds love in the group when he meets a woman who is short-sighted (Rachel Weisz) just as he is. They are found out eventually by the leader, and while the leader attempts to break them apart, we see that the two of them break the mold. They make sacrifices for the other, meaning they reject the programmed society they live in, something the leader could not have expected. They are the only ones who have truly found what love is. Of course, the ending is cringe worthy just as Dogtooth was, but it's a happy ending.
So why do I find The Lobster particularly meaningful? Love and marriage are not as they used to be. It is true that we get along best with those who are most similar to us, but we also have to be ready to make sacrifices and accept the differences we possess amongst each other. Nowadays, we are in a more "throw-away" culture where, if we have a problem with a partner, divorce is an option. Divorce is not bad if a partner is particular abusive, or if you are truly unhappy and have made an effort, but so often an effort is not made. It is hard for me to speak since I have never been married, but marriage isn't always easy and it's a learning experience. It seems wrong to me that we have a joining in love, have children in the middle, and then decide it isn't worth it. The Lobster shows this effortlessness with egotistical love. However, The Lobster shows us that the alternative, completely rejecting marriage is not a healthy option either. The movie presents an exaggerated portrayal of the current state of affairs, and it's something I have often discussed with my boyfriend. And thus, The Lobster has hung around with me. Even now, I still feel some heart strings tugging. Might I also say the acting was awkwardly adorable and just wonderful?
The Lobster is definitely unconventional, but totally worth a watch. Maybe not the most Christmas-y, but still worth a watch before the new year rears its ugly head, hehe. Merry Christmas guys!
