Showing posts with label John Carpenter. Show all posts
Showing posts with label John Carpenter. Show all posts

Monday, 30 November 2015

Review CXX - They Live

Review 120
They Live (1988)

I've been wanting to write a review for the month of November, but I haven't even watched any movies this whole month. I ended up going on an anime spree (and by spree, I mean I watched three shows, one of which had only seven minute episodes), but I didn't really have much to say. I can sum them all up in three words: Cowboy Bebop is pretty good, Tonari no Seki-kun is pretty cute, and N.H.K. ni Yōkoso! is shit (at first I thought it was great, but halfway in, the show died). So what was I going to do? Finals are coming up and I have to study! But I ended up going out for yoga with my friend Thursday evening, so I had completed all my homework the day before, plus I got home late and wasn't going to start on homework then. Enter movie time. The winner? John Carpenter's They Live starring Roddy Piper, Keith David, and Meg Foster. Awesome.

Nada (Piper) is a construction worker drifting through town, hoping to find work. He does, but in an "aliens-have-taken-over-and-are-keeping-us-in-the-dark" way. With the help of his friend Frank (David), and the mysterious woman Holly Thompson (Foster), Nada is ready to kick some alien butt.

They Live started off rather normally, but turned into a bad-ass John Carpenter after about twenty minutes. Seriously, the moment Nada gets the sunglasses, he starts killing and not giving a hoot. And I'm happy to say I finally know where that bubble gum line comes from now. It's pure, pure John Carpenter. If you like his weird, campy style, you'll love They Live. You will. I was actually expecting a more serious film given the subject matter. It's discussing the current state of affairs with a pretty good metaphor, I must say. I guess I was a little disappointed it wasn't as serious, but I always had a good time with this one. It brings up a true message, but it's still John Carpenter having fun. Thus, unlike the glasses, you can watch this film and not worry about coming down too hard. Great fun.

I... again have nothing else to say about this one. It's funny, it's serious, it's John Carpenter. Happy November, guys!

Monday, 27 October 2014

Review XC - The Thing

Review XC
The Thing (1982)

I've mentioned this before, but I love to repeat myself. When I first watched John Carpenter's The Thing, I didn't like it. I was expecting something horrifying, something phenomenal, but instead I got nothing (oooh, what a good one!). But then, you know, I gained some knowledge of the awesome of John Carpenter and Kurt Russell, and I knew I had missed out. Obviously I had been holding a grudge against the game and horror films in general and had forgotten the most important thing about watching horror films - just have fun (though most of 'em still suck). Anyway, I sat down to The Thing, prepared to be disappointed again, but knowing I probably wouldn't be.

Those Norwegians are crazy! The film starts with a helicopter chase of a huskey across a tundra of Antartica. The huskey makes it to an American research outpost before one Norwegian researcher accidentally explodes via a grenade and the other is shot by one of the American researchers. Obviously something is up, so three of the Americans, including R.J. MacReady, the awesome (cough) pilot, head to the Norwegian base to find out what exactly is going on. But what they find ends up being more of a mystery... until their own base gets infected by... the thing.

So, how was my second viewing? Totally loved it. I must have just been in a real pissy mood when I watched the film the first time. Or maybe experience made me realise how many worse horror films there are out there... Either way, I liked it. How did I find the effects? They were cool. I mean, they seemed a bit cheesy at times, but honestly, I won't hate on it. I like cheese, I really do, assuming it's done well. And in The Thing, it is. The film is not only about the effects - it's really about the psychological strain every character is under. Is Clark (Richard Masur) infected? Is Windows (Thomas G. Waites)? Is Blair (Wilford Brimley)? And what about MacReady? Is he really okay? I loved that. It's a cat-and-mouse game throughout the film where even the viewer is trying to figure out who's infected and who isn't. It makes it so much more fun! Plus, remember the idiots of Alien? Well, we have idiots here, but it's not as bad. I'll be spoiling stuff every so often here, but not enough to ruin the film. Nonetheless, you've been warned from here on out. In Alien, everyone just seemed vapid and useless. In The Thing, we do have intelligent characters who know the dangers of what's going on once the thing ends up killing Bennings (Peter Maloney). I mean, sure, it might seem a bit stupid to just go bring back this misformed alien whatever from the Norwegian camp, but at least it seemed dead, unlike in Alien where the crew would gladly go over to a huge egg - clearly alive, I might add - and stick their face in it. And then we have bad-ass MacReady who, as our protagonist, is ready to dispose of someone who is infected and is ready to take control of the situation. Like I said, there are stupid moments, but I forgive them because overall, the film presents an acceptably interesting and smart crew.

I basically summed up the film, didn't I? What else is there to say? Well, I thought I'd discuss the film a bit more in depth because I watched a video about it and it made me want to share the secrets of this film with everyone! I thank my boyfriend who other analyses, too. It's one interpretation, but it makes sense to me. Anyway, the spoilers worsen now, so beware.

The film turns around this solipsistic idea with Kurt Russell's character being the "I". It's true that it's impossible to know if your mother, father, friends, teachers, bosses, workers really exist or if they're just a figment of your imagination. But given that you think, you can at least confirm your existence. This film transforms this idea, this paranoia into something more real. Throughout the film, we don't know who is infected and who isn't, and neither does Kurt Russell. He struggles to keep everyone in check, keep an eye on them, but prior to the knowledge of the infection, anyone could have gotten infected by the dog. So he's stuck with only trusting himself, knowing that he, himself, is not infected ("Now I'm gonna show you what I already know."). Thus he's stuck trying to keep track of everyone else, almost like... chess pieces? Wait, wasn't there a scene with that? Indeed there was. At the beginning of the film - and actually how we meet MacReady - we see MacReady playing against a Chess Wizard machine. He sips his whiskey, sure he has won. "*ding ding* Checkmate." The machine ends up winning, or so we think. In reality, Kurt Russell proceeds to pour his whiskey on the rocks into the machine, destroying it, and claiming it is a "cheating bitch". Let us compare this to the film, shall we? And this can really help us unravel the end. Throughout the film, Kurt Russell is moving these people around, trying to control them. While he does get accused of being an alien by Nauls (T.K. Carter), he comes out alive, stronger than ever to destroy this creature. He manages to find a way to see if someone has the thing by testing their blood (I can be slightly hemophobic, I must say. Cutting with knives and syringes - ugh. Yet here I find surgeries fascinating. Anyway.). This seems like a turning point in the film - the thing can no longer deceive the members, am I right? It can be exposed. And everyone has the flamethrowers ("Mac wants the flamethrowers!" "Mac wants the what?"), so we should be fine, right? Well, people are still idiots, and people still separate, and Blair is probably infected, but he's far away so no one is watching over him. As a result, while MacReady finally thinks he has the thing in his grasp, it soon slithers out, destroying the generators and awaiting its freezing before a search team comes and finds it once again. MacReady tries to stop it by blowing up the bunker, and he does, but then the film ends with Childs (Keith David) meeting up with MacReady. MacReady asks what happened to him, only to get a response of "I thought I saw Blair and went out looking for him." Granted, MacReady was an idiot for leaving Childs alone, but this begs the question - is Childs infected or not? Well, let's look back at that Chess Wizard scene. Remember how the machine wins, but in a way, still loses the war because MacReady just destroys it anyway? What does MacReady give Childs? Why, his whiskey. Childs gladly takes it, not concerned that MacReady may be infected. While MacReady proclaims their fight would be futile since it's about to reach 100 degrees below (is this Celsius or Fahrenheit? I have no idea), there is still a slight possibility they could survive... assuming they both were wary. But Childs gladly takes that whiskey and drinks. MacReady gives a little laugh. We know the two both have flamethrowers, and given the Chess Wizard scene, we can assume that MacReady kills Childs, thus killing the lifeform. It sounds happy, and I like it that way. MacReady the bad ass, hehe.

BUT WAIT, THERE'S MORE. I'm serious! I won't go on too much more, but I'll share one other thing that keeps you looking throughout the film. When I watched the final scene, something felt off when Childs came on screen. I didn't know what, but it just seemed... off. Now, if we look at Childs throughout the film, he always sports a navy coat. And I do mean throughout. Whenever he's outside, he wears that jacket. And in fact, attire remains consistent throughout the film. Except - you guessed it - when the thing attacks. MacReady mentions that the thing tears through clothing. There's no doubt he mentions this for a reason. The thing knows this is an issue and, thus, when it attacks the shadowy figure at the beginning, it does this late at night when the person is wearing their undergarments. Hence why Nauls finds long johns in the garbage. But sometimes it could only attack during the day, and therefore, we can kind of note when someone has been infected and someone has not. But I'll let you observe the film for that, though I'll explain the Childs scene to get you all excited. So yes, throughout the movie, and even right before the blackout, we see Childs is wearing a dark blue coat. But at the end, he's wearing a significantly light coat. Coincidence or did the thing attack him and needed a coat? Not to mention, at some point near the end, we get a panover of the hallway, the basement door, and the coat room where the door is open. Could this provide an explanation as to how Blair got to Childs? Well, I leave it up to you. But seriously, this whole thing got me creaming over the film. Alien had some thing about man rape, but I like that this film wanted you to think. Production for The Thing was delayed a year because of budget cuts, so John Carpenter had time to think about this film. And it totally made it that much more awesome.

So yes, this Halloween season, check out John Carpenter's The Thing, either a first-time watcher or a veteran watcher. I never saw the remake, but I have a feeling it's just lame. The original isn't the scariest, but it's damn well cool. Oh, and did I mention it also stars Kurt Russell?

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Tuesday, 2 September 2014

Review LXXXVII - L'eclisse

Review LXXXVII
L'Eclisse (1962)

Guys, Alain Delon is, or was, a sexy man. After watching Le samouraï, my boyfriend and I made sure to check out all the Jean-Pierre Melville and Alain Delon films. The two together were like peas in a pod, just like the wonderful John Carpenter and Kurt Russell films released in the eighties. However, it was Alain Delon's lovely eyes that caught the viewer's attention, so when I found out about Michelangelo Antonioni's L'eclisse, starring yours truly and the beautiful Monica Vitti in a love story, well, I pounced.

Vittoria (Vitti) breaks off with her lover one sunny day and, after visiting her mother at the stock market, meets up with a young, handsome man, Piero (Delon). However, their relationship may be more strenuous than either anticipated.

This film was... long and drawn out. I was very disappointed. The opening scene, while brilliantly shot, was so long. We meet Alain Delon's character at the stock market, but I think we finally saw Vittoria and Piero engage in something maybe two-thirds of the way into the film. The film is over two hours. So yeah, I didn't get any Alain Delon booty or nothin'. Sourly disappointed. However, if you don't go into L'eclisse expecting a very focused plot, you'll enjoy the beautiful shots. I've never seen another Michelangelo Antonioni film, so it is possible his films are primarily artistically appealing shots with a lot of meaning and not so much for the regular folk. However, I did read that he didn't particularly like the ending he chose, which I found was quite out of place. Either way, had I gone into the film without expecting a relatively normal romance, I might not have been as disappointed. But seriously, the woman would show affection, then walk away. I don't even know how Alain Delon kept going.

L'eclisse is a look into my relationships, or that is my guess. We see a lack of complete devotion to the other, and in the end, sorry for spoilers, the two never meet up again even though they both offer promises of seeing each other soon. Apparently this is the final film of a triology specifically about modern age getting in the way of life. The stock market gets in the way of Vittoria and her mother, and maybe Vittoria goes for Piero because of his position in the stock market, revealing that their doomed affair. It does this well, but damn man, the film can still feel extraordinarily long sometimes. Yes, yes, beautiful shots, but sometimes I'm not Koyaanisqatsi patient, especially when I expected Alain Delon, sniffle.

The film takes a relatively good perspective on contemporary living and its downfalls, though it can be long. Also, this film doesn't have a lot of Alain Delon in it, so don't go in expecting him. Otherwise, you'll be very sad indeed.

Piratebay torrent

Tuesday, 17 July 2012

Review XVII - Escape from New York

Review XVII
Escape from New York (1981)

Two reviews in one day? Woah! I started babysitting a friend's little sister yesterday, and I'll be doing so for the next few weeks. She's ten, however, and so far I've not had to do much except sit around, do some dishes, and cook food. We've been watching movies together, but today I got there before she woke up, so I decided to watch another John Carpenter cult film, Escape from New York. Unlike Big Trouble in Little China, this one was commercially a success, but it has since been established as a cult hit. This film stars Kurt Russell, Lee Van Cleef, Harry Dean Stanton, Ernest Borgnine, Adrienne Barbeau, Donald Pleasence, and Isaac Hayes.

While the president (Donald Pleasence) of United States is on his way to an important summit in 1997, his plane is hijacked by a terrorist. He escapes through an escape pod, but lands in New York city, which, ten years previously, became a prison island where prisoners are sent for the rest of their days. The authorities try to get the president, but their results prove fruitless. Enter Snake Plissken (Kurt Russell), an honourable special forces soldier turned robber who has been arrested. Hauk (Lee Van Cleef), an agent in the special forces, offers Snake a deal - rescue the president in 24 hours, and he's given a pardon. There's also a catch - microscopic explosives are implanted in his neck that will explode in 24 hours to ensure Snake goes along with the deal. While New York offers Snake companions to help him in his journey to find the president, the Duke (Isaac Hayes) and his gang are going to prove to be a big problem for Snake, Cabbie (Ernest Borgnine), Brain (Harry Dean Stanton), and Maggie (Adrienne Barbeau).

I loved this film. I'm not sure if Big Trouble in Little Trouble made me a science-fiction-John Carpenter-and-Kurt-Russell lover, but man, I thought the film was grand. Again, it's not a film you watch to think, but simply to be entertained with action and funny lines. It isn't as cheesy as Big Trouble, rather more serious in fact, but it's still a light-hearted film. I also thought the concept of the crime rate in the United States becoming so high that they dedicate a city to housing prisoners and letting them take care of each other interesting. I thought it was pretty amazing that the prisoners never escaped, even if the walls are huge. Manhattan Island is 87.5 square km, or 33.77 square miles, depending on the system you prefer. That's pretty huge! That would mean having people surrounding the whole barrier the whole time, and having a helicopter for at least every few kilometres to ensure no one is sneaking around. Still, that didn't bother me in the least; I just like nitpicking. I just watched the film to be entertained, and entertained I was. The film makes me want to re-watch The Thing (I didn't think it was all that good when watched it), and check out more John Carpenter science fiction films. Kurt Russell was an iconic badass (what did you expect?), and the other characters were well played. I also enjoyed the eighties' soundtrack which John Carpenter also contributed to. That's talent right there!

I'd give the film eight stars on ten. It deserves the cult status it has earned, and it's worth a watch from any action lover. Don't expect too much from it - simply watch it to be entertained.

Pirate Bay torrent

P.S. I rented the film, so I don't know if the quality for the torrent is any good... Sorry!

Monday, 4 June 2012

Review VI - Big Trouble in Little China

Review VI
Big Trouble in Little China (1986)

As you know from my introduction, I watch The Spoony Experiment videos. In one of his vlogs, he mentioned that John Carpenter's Big Trouble in Little China was his favourite movie. Perhaps things have changed since then, but I decided to check out the film which stars Kurt Russell, Dennis Dun, James Hong, Kim Cattrall, and Victor Wong.

Jack Burton (Kurt Russell) is friends with Wang Chi (Dennis Dun), and when Wang Chi tells him he first has to pick up his fiancée from the airport before giving Jack his one thousand dollars for losing a bet, Jack doesn't realise he'll be in for a crazy day when Wang's fiancée is kidnapped by the Lords of Death, a Chinese street gang, as an intention to be sold as a sex slave. Suddenly the two are dealing with powerful magicians and an immortal sorcerer out to rule the world.

The film is cheesy, but it's the good kind of cheese because I loved it. It's a b-movie, but a really good b-movie. The film doesn't try to be anything it isn't - simply entertaining with some cool martial arts scenes and funny plot lines. While Kurt Russell's character is seen as the "hero", Dennis Dun's character is the real hero considering he actually does all the work to get his fiancée back. It's a strange movie at certain parts, and you're expected to just take things as they are, but it works. Jack is an ass, but he's not a complete ass, and it's not like he's shown as a god either. He's just a regular man who's gotten caught up in a 2000 year old Chinese legend, and, all things considered, he takes it pretty well!

I'd give it an eight on ten. By b-movie standards, it's definitely one of the best I've ever seen. It's a b-movie cult classic, and it has earned its status. If you've never seen it and you like b-movies, it's definitely worth a watch, especially with its typical eighties' music.

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